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Robert Hood, Planetary Assault Systems, Ken Ishii, Marcel Dettmann and many others remix Mattia Trani

Chromatic por Chromatic
29/05/2023
en MAGAZINE, Noticias
Robert Hood, Planetary Assault Systems, Ken Ishii, Marcel Dettmann and many others remix Mattia Trani
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Pushmaster Discs and Mattia Trani are proud to present the remixes for the Italian producer’s last album “Scenery”.

Mattia invited his favourite producers of the past and present to create their own vision of his music.
The remix album is due 30 June and will be released on vinyl, split in 3 parts, and digital.

Up first are Detroit legend Robert Hood and pioneer Luke Slater as Planetary Assault Systems. Both remixed “One More Step”, leading the minimalistic tool into more percussive realms. Ken Ishii, Mattia’s favourite producer from the 90s, reworked “Scenery” adding timeless Japanese futuristic atmospheres to the track. Marcel Dettmann delivered a, for him, unusual 122bpm deep house banger through his version of “Videogame” which features vocals by Theo Nasa.

On the second 12”, the best hard-techno producers and djs of the moment Alignment, Indira Paganotto and Lee Ann Roberts, gave “Biologic Horror”, “End of Days” and “No Future” a 2023 treatment. Paul Ritch and Luigi Madonna complete the line up with their old school acid versions.

Finally, the third vinyl sees Mattia’s close friend Fedele remix “Scenery” into a melodic hit. Wrapping things up are K91, Matgroove and Gianma Bln, all upcoming artists from Italy and students at Mattia’s music academy. Each of them tackled “Endless Optimism” but whilst K91 explored breaks, Matgroove took a deeper route and Gianma Bln played with razor sharp arrangements.

Each producer summarizes their intentions in this compilation, looking for novelty without losing nostalgia, who plays with the genre but without falling into predictable tricks, nor in the arrogance of those who castle themselves in a genre or mannerism to show that they have personality. Paradoxically, to achieve simplicity and lucidity requires experience and the ability to know how to free oneself from the limitations of conditioning, and this first compilation is a healthy example of this. For this very reason, the best of the compilation is not so much what it contains, but what it promises: having made the necessary balance, it is known that what has to come from the Fanzine Project in the future will be even better.

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